This album was recorded beneath the railway arches and across the marshes of Walthamstow, London. It captures the subtle interplay between portable electronics and the rhythmic pulse of passing trains. Rather than erasing the urban environment, the artists added white noise to create a unified sonic landscape. The result is a semi-composed, semi-improvised exploration born from the interweaving arches of environmental factors and human dialogue—a piece of music that eschews self-awareness in favour of a supernatural imbalance.

The work functions as a collaboration between Li’s “no-performance” practice and Maggiore’s fascination with repetition and endurance. A creation of time in which the boundaries between performer, device, and environment finally dissolve. 

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Li Song is a London-based musician and computer programmer. He performs improvised music with his computer and composes music using electronics and acoustic instruments. Luciano Maggiore is a Palermo-born, London-based musician whose work is characterised by the use of speakers and several analogue/digital devices (samplers, CD players, walkmans, tape recorders) as well as acoustic objects and addresses the performativity of the musical act, the perception of it, and the obscurity that emanates from it. His main interests include mechanisms of sound diffusion, performance, repetition, endurance, non-human animal languages, dance, and folklore